I started doing that Audi 2 months ago and i think i'll probably never going to finish it, alway get tired of doing it and then start on something new wich i never finish too
Anyway, here are couple of renders.
The audi is slick as, and the earth scene is great too. The interior could stand to be brighter, add some definite light sources to the room.Please support us and post a [Link to www.digitalartsfront.com] on your website.
yeah, that fire is FumeFX, i was just experimenting with it.
Great plugin, and really realistic results.
The secret of creativity is knowing how to hide your sources.
-Albert Einstein
Yeah I thought that looked like fume fx. It is very good. kinda tricky but the results are incredibly realistic. Have you figured out how to use it?. I spent a few hours with it but only managed the basics. Need a good tut or something.
i manage to do simple simulations, like that fire from render, but nothing complicated.
Great thing is that you can bind all of max's forces and Pflow on it and it works like a charm.
As said, it's little complicated to start with, but i think it's much more simpler and easyer to work wiht than afterburn.
The secret of creativity is knowing how to hide your sources.
-Albert Einstein
I think they talk about that in the special edition features saying (very briefly) that it was done with sprite based particles. looks pretty damn good for sprites if thats true.
...With stock footage of flame for textures. Plus some touch ups in Discreet Flame 8. They never do anything with one program at that company.
But there's a challenge idea
Yeah compositing is always the thing that seals the deal. I'd love to have a go on a high end suite like inferno or something. The compositors at Animal had these darkened rooms with couches for directors to sit. treated like royalty and paid like them too.
If theres a job in CG that pays really well its that for sure.
I taught combustion at Mad academy. I havent tried Shake I think its not being updated anymore and replaced by something else but I heard it was very good.
I use After effects at work but my favourite compositor is Digital fusion. it totally blows the other away being non linear. Its very pricey though and usually out of the budget for smaller studios. I don't mind After effects for some stuff but both After effects and combustion shit me off with everything being nested and in layers.
having to apply effects to each layer individually is a painfull drag when you have been used to a non linear workflow. fusion also has superior operators too, you can do almost everything within one colour correct node where as in combustion you have to use several effects to achieve the same result.
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I have a few projects that I'll probably never finish too.
Chris